class="p1">No Dress under $69.95 Will Bear Name of Dior // New York Times. 1948. July 30. P. 25; Halstead E. Copies of Imports Will Go on Markets within Three Weeks // New York Times. 1955. September 2. P. 10.
53
Robertson N. Piracy Runs Rampant over New Paris Styles // New York Times. 1958. August 26. P. 33; Halstead. Copies of Imports. P. 10; Herndon B. Bergdorf’s on the Plaza: The Story of Bergdorf Goodman and a Half-Century of American Fashion. New York: Knopf, 1956. P. 226.
54
Письмо Эллен Энгель к Жаку Руэ от 9 июля 1948 года. Helfgott. Women’s and Children’s Apparel. P. 22, 60; Liste alphabétique des manufacturiers et détaillants américains, 25 August 1949, 6 pp., Service commercial, File Préparation des collections, 1949, DSAA.
55
Garb for Beach Wear and Holiday Clothes for All Occasions Exhibited by Dior in Paris // New York Times. 1948. February 28. P. 13; Historique CDNY, Brief History, 1, DSAA; Okawa. Licensing Practices. P. 102–106; Grumbach. Histoires de la mode. P. 113; Rasche. Christian Dior in Germany. P. 35.
56
Enregistrement de la marque internationale Christian Dior, 28 January 1948, № 134476, Institut National de la Propriété Industrielle.
57
Первые патенты в США были зарегистрированы в 1948 году. Heftler-Louiche bottle, USD158380S, дата регистрации 10 декабря 1948 года, дата публикации 2 мая 1950 года.
58
При этом на аромат права интеллектуальной собственности не распространялись.
59
Gorman C. Why Post-War American Businesses Embraced Corporate Identity Design (paper presented at Interrogating Intellectual Property Rights in Fashion and Design Conference, University of Oslo, June 12, 2015); Gorman C. The Role of Trademark Law in the History of US Visual Identity Design, c. 1860–1960 // Journal of Design History. 2017. Vol. 30. № 4. P. 371–388; Etherington S. L. Fashion Runways Are No Longer the Public Domain: Applying the Common Law Right of Publicity to Haute Couture Fashion Design // Hastings Communications and Entertainment Law Journal. 2001. Vol. 23. № 43. P. 51–55; Palfrey J. Intellectual Property Strategy. Cambridge, MA: MIT Press, 2012. P. 42–44.
60
Haute couture balance sheets (1987003/0251) and perfume balance sheets (1987003/0252), Boussac CIC archives, ANMT.
61
Grumbach. Histoire de la mode. P. 113; Palmer. Dior. P. 88; Contracts under Licenses. In England; In Australia; Contracts under Licenses. In Mexico. In Cuba. In Chile // Christian Dior, work booklet, English ed., n. p., DSAA; Gruson S. Pay and Costs High in Caracas’ Boom // New York Times. 1953. December 19. P. 7; Venezuela Interests the Economic World // New York Times. 1955. January 5. P. 70; Christian Dior – Venezuela // Christian Dior, booklet, English ed. Paris, 1953, n. p., DSAA. South American concern box, DSAA.
62
French Office des Changes to the CIC, 13 January 1959, 1987003 0252, Boussac CIC archives, ANMT.
63
Bomsel O. L’économie immatérielle: Industries et marchés d’expériences. Paris: Gallimard, 2010. P. 157.
64
L’influence de Christian Dior. P. 1.
65
Ibid. P. 2; Roshco. Rag Race. P. 122; Palmer. Dior. P. 96.
66
Chambre Syndicale de la Couture parisienne. Bulletin 1, 1, 10, 2.
67
Saunier, Claire, Ancien sénateur élu(e) par l’Assemblée nationale, Sénat [электронный ресурс]. www.senat.fr/senateur-4eme-republique/saunier_claire0554r4.html (дата обращения 12.09.2015).
68
Rapport d’activités de l’année 1952, 16, CSCPA. Chambre Syndicale de la Couture parisienne. Bulletin 1, 14; Grumbach. Histoires de la mode. P. 102; Rapport d’activités de l’année 1953, 11, CSCPA.
69
Rapport d’activités de l’année 1952, 16, CSCPA.
70
Ibid. P. 19; Rapport d’activités de l’année 1953, 11, CSCPA; Rapport d’activités de l’année 1954, 29, CSCPA; Rapport d’activités de l’année 1955, 2, CSCPA; Merlo E., Polese F. Turning Fashion into Business: The Emergence of Milan as an International Fashion Hub // Business History Review. 2006. Vol. 80. № 3. P. 415–447.
71
Fashion Piracy Charges.
72
Frenchmen Plan Style Piracy Suit // The New York Times. 1955. October 26. P. 48; Roshco. Rag Race. P. 162; Committee meeting minutes, 31 January 1949, 1–2, CSCPA; Grumbach. Histoires de la mode. P. 100; Robertson. Piracy Runs Rampant. P. 33.
73
Rapport d’activité de l’année 1956, «Presse» document, n. p., CSCPA. Frenchmen Plan.
74
Milton F. L. Sketch collection, 1940–1958, History, note [электронный ресурс]. atom-sparc.fitnyc.edu/frederic-l-milton-sketches-1942–1956 (дата обращения 07.06.2015).
75
Fashion Piracy Charges. Court Sharply Critical of Style Piracy: Refuses to Dismiss Suit by Couturiers // Women’s Wear Daily. 1956. July 30. P. 21; Design Copyright folder, box 4, Resseguie Collection, BL, HBS.
76
Frenchmen Plan. P. 48; Gottlieb L. Cleary, Gottlieb, Steen and Hamilton: The First Thirty Years. New York: Donnelley, 1983. P. 62–65; Court Sharply Critical. P. 21; International Style Piracy Net Is Charged // Women’s Wear Daily. 1960. January 28. P. 33; Design Copyright folder, box 4, Resseguie Collection, BL, HBS; Jacob H. Gilbert // Biographical Directory of the United States Congress [электронный ресурс]. bioguideretro.congress.gov/Home/MemberDetails?memIndex=G000175 (дата обращения 07.06.2015); Treaster J. B. Jacob H. Gilbert, 60, an Ex-Representative and Bronx Legislator // The New York Times. 1981. March 1. P. 36.
77
Vernus P. Contrôler et définir la fraude dans la soierie lyonnaise (au XIXe siècle et au début du XXe siècle) // Fraude, contrefaçon et contrebande de l’Antiquité à nos jours / Ed. Gérard Béaur, Hubert Bonin, and Claire Lemercier. Genève: Droz, 2006. P. 491.
78
Fashion Piracy Charges; Roshco. Rag Race. P. 164.
79
Robertson. Piracy Runs Rampant. P. 33.
80
Fashion Piracy Charges.
81
Frenchmen Plan. P. 48. Курсив автора.
82
Court Sharply Critical. P. 21.
83
Fashion Piracy Charges. Rapport d’activité pour l’année 1956, 2, Presse, Affaire Milton, CSCPA.
84
Christian Dior et al. v.
