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76
Gay, P. Freud: A Life for Our Time. New York: W. W. Norton, 1998. P. 249.
Ibid., p. 250.
Kokoschka, O. My Life. New York: Macmillan, 1971. P. 66.
Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism. P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994. P. 14.
Westheimer, R. The Art of Arousal. New York: Artabras, 1993. P. 147.
Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 135.
Braun, E. Carnal Knowledge / In: Modigliani and His Models. London: Royal Academy of Arts, 2006. P. 45.
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 236.
Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 1.
Rodin, A. Art. Boston: Small, Maynard, 1912. P. 46.
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. P. 215.
Ibid., p. 84.
Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986. P. 14.
Greenberg, C. Modernist Painting. Washington, DC: Forum Lectures, 1960. Pp. 1–2.
Comini, A. Gustav Klimt. New York: George Braziller, 1975. P. 25.
Lillie, S., and G. Gaugusch Portrait of Adele Bloch-Bauer. New York: Neue Galerie, 1984. P. 59.
Whitford, F. Gustav Klimt (World of Art). London: Thames and Hudson, 1990. P. 18.
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 101.
Kokoschka, O. My Life. New York: Macmillan, 1971. P. 33.
Ibid., p. 66.
Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. P. 25.
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. Pp. 37–38.
Ibid., p. 102.
Ibid., p. 38.
Kokoschka, O. The Dreaming Youths / In: Schorske, C. E. Finde-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 332–333.
Zuckerkandl, B. Neues Wiener Journal, April 10, 1927.
Shearman, J. Mannerism (Style and Civilization). New York: Penguin Books, 1991. P. 81.
Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 75–76.
Ibid., p. 76.
Пер. П. Мелковой. – Прим. пер.
Van Gogh, V. The Letters. M. Roskill, ed. London: Atheneum, 1963. Pp. 277–278.
Здесь и далее цитаты из книги Э. Гомбриха “История искусства” в пер. В. Крючковой. – Прим. пер.
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. Pp. 429–430.
Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.
Ibid.
Cernuschi, C. Re/Casting Kokoschka: Ethics and Aesthetics, Epistemology and Politics in Fin-de-Siecle Vienna. Plainsboro, NJ: Associated University Press, 2002. P. 34.
Kokoschka, O. My Life. New York: Macmillan, 1971. Pp. 33–34.
Ibid., p. 31.
Ibid., p. 60.
Ibid., p. 37.
Kramer, H. Viennese Kokoschka: Painter of the Soul, One-Man Movement // The New York Observer, April 7, 2002.
Berland, R. The early portraits of Oskar Kokoschka: A narrative of inner life // Image [&] Narrative [e-journal], 2007. См.: http://www.imageandnarrative.be/inarchive/thinking_pictures/berlandhtm.
Пер. В. Крючковой. – Прим. пер.
Gombrich, E. H. The Story of Art. London: Phaidon Press, 1995. P. 431.
Freud, L. Exhibition. L’Atelier, Centre Pompidou, Paris. April 2010.
Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. P. 44.
Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. P. 32.
Danto, A. C. Live flesh // The Nation, January 23, 2006.
Kallir, J. Egon Schiele: The Complete Works. New York: Harry N. Abrams, 1990, 1998. Pp. 65–68.
Comini, A. Egon Schiele’s Portraits. Berkeley, CA: University of California Press, 1974. Pp. 50–51.
Schorske, C. E. Fin-de-Siecle Vienna: Politics and Culture. New York: Alfred A. Knopf, 1980. Pp. 234–235.
Persinger, C. Reconsidering Meyer Schapiro in the New Vienna School // Journal of Art Historiography 3 (2010): 1.
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Empson, W. Seven Types of Ambiguity. New York: Harcourt, Brace, 1930. P. x.
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Gombrich, E. H. The Image and the Eye: Further Studies in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 11.
Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. ix. Princeton and Oxford: Princeton University Press, 1960
Kris, E., and E. Gombrich Caricature. Неопубликованная рукописть из архива Э. Гомбриха (Archive of E. H. Gombrich Estate, Warburg Institute, London). Цит. по: Rose, L. Psychology, Art, and Antifascism: Ernst Kris, E. H. Gombrich, and the Politics of Caricature. Неопубликованная рукопись, 2011.
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Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. London: Phaidon Press, 1982. P. 5.
Ibid., p. 24.
Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.
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Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. Pp. 111, 132.
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Gregory, R. Seeing Through Illusions. New York: Oxford University Press, 2009. P. 212.
Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 301.
Hoffman, D. D. Visual Intelligence: How We Create What We See. New York: W. W. Norton, 1998. Pз. 2–3.
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Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 304.
Bostrom, A., Scherf, G., Lambotte, M.-C., Potzl-Malikova, M. Franz Xaver Messerschmidt 1736–1783: From Neoclassicism to Expressionism. Italy: Officina Libraria, 2010. P. 521.
Kris, E. Psychoanalytic Explorations in Art. New York: International Universities Press, 1995. P. 190.
Slaughter, V., and M. Heron Origins and Early Development of Human Body Knowledge // Monographs of the Society for Research in Child Development 69, no. 2 (2004): 103–113.
Natter, T. G. Gustav Klimt and the Dialogues of the Hetaerae: Erotic Boundaries in Vienna around 1900 / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection. R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007. P. 100.
Ibid., p. 95.
Solso, R. L. Cognition and the Visual Arts. Cambridge, MA: MIT Press, 1994. P. 155.
Simpson, K. Viennese art, ugliness, and the Vienna School of Art History: the vicissitudes of theory and practice // Journal of Art Historiography 3 (2010): 7.
Gage, J. Color in Art. London: Thames and Hudson, 2006. P. 50.
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